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Well this is not necessarily the easiest question to answer.continue reading » One friend brought up a message where a man had told her that because she was a ‘woman of size’, she ‘must suck good ****’.
An essential and recurring part of Gordon’s creative practice, however, has been her fine art, which has been shown in several galleries and institutions, most recently in Berlin and New York.
Her pieces mostly consist of text-based gestural paintings referring to the female body.
In her performance work, Gordon experiments with noise and sound created through body movement and the combination of film and live music.
Visual presentation has also played a large part in Sonic Youth’s history.
You can also order directly from us via our online store mono.konsum.
I’ve searched so many information about the dating sites, and i was amazed how many people found each other.takes time, distance is not easy to bare, but if people are meant to be together-the only boundary is in their head..i have no boundaries…i have no limits…i’m a free say-hey you have a small kid, yes, but don’t we deserve to be happy marriage?
Thriving on the playgrounds of noise music for more than three decades, they stoically pursued their own particularly dirty blend of noise-punk experimental rock music, building along the way not only a league of dedicated followers, but also miraculously achieving mainstream success without ever ceding ground to mediocrity.Nonetheless, we can count on Kim Gordon to keep ‘making stuff’ and, in fact, it will be interesting to see what she will do next.In an essay for Interview by Fiona Mc Govern Introduction by Melissa Canbaz & Kai von Rabenau Artwork by Kim Gordon Design by Willem Stratmann / Studio Anti Read the interview in issue #33 of mono.kultur, available from selected shops.Lines such as, ‘I mean, are you gonna liberate us girls from male white corporate oppression?’ from Sonic Youth’s in 1990 led directly all the way to the Russian girls of Pussy Riot, for example, who recently caused an international stir for their unjust indictment, proving that punk music still remains relevant with an undertone of (gender) politics.Very few female key figures in music, such as Laurie Anderson, Lydia Lunch and, of course, Kim Gordon, have managed to resist mass media and remain nonconformist without employing overt provocation as a tool to attract attention.They remained within a subculture and still managed to influence generations to come.If anything, Sonic Youth became a household name for integrity and that specific kind of cool in a genre where cool is firmly attached to youth – which certainly had a lot to do with the unfailing detached charisma of Kim Gordon, who brought a certain glamour to her male counterparts, Lee Ranaldo and Thurston Moore.While Sonic Youth’s influence on past and current generations of experimental and punk music is undisputed, Kim Gordon’s role as a female figurehead in music and also in the visual arts might be a more complex one.It defined how music shaped our cultural identity in the second half of the 20th century, a role that might now slowly be disintegrating as our relationship to music is changing in the digital era.Arguably, the digital era might also not be the right context for a determinedly DIY gang like Sonic Youth: Having completed their recent and possibly final tour, the future of the band remains uncertain after last year’s breakup of the marriage between Kim Gordon and Thurston Moore.